Antwerp Royal Academy of Fine Arts Fashion 2010 Menswear

YUIMA NAKAZATO

YUIMA NAKAZATO

After years of learning to make clothing on his own, Yuima entered the Fashion Form of Belgiumʼs Antwerp Royal Academy of Fine Arts at eighteen. Returning to Japan upon graduation, he founded the womenʼs fashion label, "YUIMA NAKAZATO" . He has since, continued to nowadays his works mainly in Paris, while creating order-made designs for recording artists. From 2010, he has also started a menswear line.
1985 Built-in in Tokyo, Japan. / 2004 Entered the Fashion Course at Antwerp Purple Academy of Fine Arts. / 2008 Upon completing the Masters Grade of the Royal Academy, his Terminal Presentation was awarded the Innovation Award by Ann Demeulemeester. Furthermore, his shoe designs were recognized also, and have been put into the Antwerp Mode Museum (MoMu) for permanent preservation. Amid the many awards he has received in Europe, is the Vertice Honour from the DIESEL sponsored, International Talent Support (ITS) Fashion Contest held in Italy. / 2009 Begins social club-made designs for celebrities and recording artists in and out of Japan. Works include, a costume for Fergie, of the Black Eyed Peas worn for their World Tour and LADY GAGAʼs costume for a performance in Japan. Received the YKK Award at the ITS Accessories Contest in Italy. / 2010 YUIMA NAKAZATO menʼs collection presented on the track at Tokyo. / 2011 Featured on "V mag", equally Nicola Formichettiʼs nomination for future talents, the next upcoming designer.

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Later on graduating from the Royal University of Fine Arts Antwerp, Yuima Nakazato launched his own brand in 2009. He as well designs costumes for LADY GAGA and other artists both in Nihon and abroad. Highly praised even overseas, Yuima Nakazato has been chosen as the "Mercedes-Benz Presents designer" for Mercedes-Benz Style Week TOKYO 2012-thirteen A/W at which he will unveil dresses inspired by new Mercedes-Benz vehicles. He will as well be holding his own show, which volition adorn the opening of the Fashion Calendar week. We interviewed this young designer who continues to pursue the possibilities of fashion without being tied downward by existing rules.

Could y'all tell u.s. about the dresses that you created every bit the Mercedes-Benz Presents designer?

Nakazato：My theme was on means to create a human relationship among cars, people, and clothing as a fashion designer. When I first saw the vehicle, its elegant torso, power, and advanced engineering made it look very much like a living creature. From this, I got an image of people and cars meeting. I then replaced the motorcar with a woman, and I continued to imagine what type of person she was and what type of clothes she would wear. I had never looked at a car in this way earlier, so designing clothes using an automobile as a starting point was a fresh feel.

I think the objective and materials of apparel differ from that of cars. Did you observe things in common when designing your creations?

Nakazato：I felt that getting into a car is much like putting on clothes. I have ever liked hard materials, and I discovered many ways to direct contain expressions of the motorcar'south luster and metal backdrop into the clothing. In this sense, it was easy to come up up with ideas. I have always liked vehicles as a child, and I remembered I used to imagine dissimilar designs for cars also as clothes.

Please tell me about your ain YUIMA NAKAZATO testify.

Nakazato：I tin can't get into details yet, only I've been conceptualizing the prove for more than than a yr at present. The inspiration came from communities chosen nudist colonies that exist all over the world. Imagining an almost miraculous world of peace from these places where people live in nudity was the start of my creations. I designed my creations from the concept of fusing the identify where I alive, Tokyo, with this imaginary utopia.

How do you feel about unveiling a testify in Tokyo?

Nakazato：I began studying fashion in Antwerp, so I am strongly aware of and influenced past Europe, fifty-fifty to this day. At the same fourth dimension, I am currently based in Nihon, and I strongly feel the importance of spreading my wings here at home by developing teamwork with the people that support production, including material manufacturing and processes at the factory, and with the people that support my shows, too as relationships with the customers. If I tin rest my activities in both Asia and Europe and create good relationships, I think it will lead to my farther development in the hereafter.

What did the 4 years spent at the Regal Academy of Fine Arts Antwerp mean to you?

Nakazato：Antwerp is different from Tokyo in that it is small and laid-back. When I started studying fashion, I had a lot of time to exist introspective, which created the basis of my designs. At the time I really wanted to study ladies wear. I was actually interested in the decorative elements, the style clothes hung on the trunk, and the structural aspects of ladies wearable. Since then, I have wanted to eventually comprise these aspects into menswear.

I feel that these sensations of ladies wear are incorporated into the menswear you create.

Nakazato：Aye. I started making dress because there was no existing menswear that I wanted to put on. This is a huge driving force for me even today. When I became strongly interest in fashion in loftier schoolhouse, I used to purchase ladies wear and remake it to fit me.

So, that was the surround backside your creations that create such a stir in the existing fashion and menswear earth?

Nakazato：Perhaps. The unique ancient culture of Japanese men captured ambiguity towards gender every bit sacred. I think this is what has led to mod Japanese mode and it's this that I have a smashing interest in. I think this sense of values will also go an important element in the future of men'southward fashion. I also call back I had a huge influence from being raised by my parents, who are very open up to things, to exist my own person.

From 2011 South/S debut drove

Is there a different side of you that comes into play when designing clothing for artists, which you as well do?

Nakazato：Designing clothes for people who express more than of their personality and are looking for something different than the residual of us makes my heart dance. I also become a lot of ideas from speaking with the artists. I tin apply these ideas to my ain brand, allowing me to create even better things from this mutual relationship.

Simultaneously engaging in creations with different vectors, as you exercise, may be a very effective arroyo to the today'south world that seems to be proceeding in a bipolar manner.

Nakazato：It may be then, but it's non like. I'k trying to exist conscious of the state of the market. I have rather looked at how I should be and what I can practise in my own growth process. I take repeated what I learned in Antwerp virtually being introspective, and the issue is how I am today.

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Source: https://rakutenfashionweektokyo.com/en/topics/interview/yuimanakazato/

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